Archive for the ‘YouTube’ Category

(Atlanta, GA, March 15, 2011) ~ This year, NCAA March Madness will be just as much about the fan Tweets and Facebook posts as it will about the high-flying dunks, buzzer beaters and improbable upsets. That’s because Coca-Cola Zero, Turner Sports and CBS Sports have partnered to create the most impressive and robust online fan experience ever with the launch of the Coke Zero NCAA March Madness Social Arena.

From the First Four™ through the Final Four®, fans can log on to the Coke Zero NCAA March Madness Social Arena at CokeZeroSocialArena.com and follow every aspect of the NCAA Division I Men’s Basketball Championship, from the action on the hardwood to the online social commentary. This innovative digital experience will accompany live streaming of the games on March Madness on Demand (MMOD) and feature a real-time Social Ticker displaying fan chatter and trending social topics around the tournament, and a first-of-its-kind Social Bracket that ranks teams based on the sum of online conversation about each team. The MMOD experience, including the live player, can be accessed through NCAA.com, CBS Sports.com or SI.com. “Each year millions of everyday people suddenly become rabid basketball fans – immersed in the live action of March Madness and obsessed with following every play, every upset, every victory over the three weeks of this exciting tournament,” said Bea Perez, chief marketing officer, Coca-Cola North America. “With the Coke Zero NCAA March Madness Social Arena, we’re giving fans the ultimate way to follow the tournament wherever they are and play a role in March Madness through their own social commentary.” When visiting the Coke Zero NCAA March Madness Social Arena online or via the new iPad app, fans can monitor and contribute to the social chatter around each match up from their own Facebook posts and Twitter feeds. Fan comments and social media posts related to March Madness will appear in “Tourney Buzz” on the site.

 Joining in on the conversation will be CBS Sports and Turner Sports online and on-air basketball analysts who will be regularly commenting on live game action, sharing tournament observations and connecting with fans. The Coke Zero NCAA March Madness Social Arena also will contain an “Impressive Moments” section, a video portal highlighting the most exciting plays from each round of the tournament. Fans will be prompted to vote on their favorite impressive plays, and the video with the highest ranking will be featured on the national broadcast show, “Impressive Moments of March Madness” presented by Coke Zero airing at 3 p.m. EDT on CBS Sports leading up to the coverage of the Final Four games on April 2. And to top off this most impressive March Madness experience, Coke Zero is sponsoring a sweepstakes where fans have a chance to win tickets and a trip for two to the 2011 NCAA Men’s Final Four in Houston. Between March 14-24, fans can submit an entry on Coke Zero NCAA March Madness Social Arena for one of two grand prize packages, including two Final Four 2011 Final Four tickets, round-trip airfare and accommodations for four nights in Houston. To visit March Madness On Demand and explore the Coke Zero March Madness Social Arena, visit http://mmod.ncaa.com. iPad, iPhone and iPod Touch users can download the free NCAA March Madness On Demand app from the App store. More information on the Coke Zero NCAA Men’s Final Four Sweepstakes, including complete contest rules visit www.cokezerosocialarena.com.

 About The Coca-Cola Company The Coca-Cola Company (NYSE: KO) is the world’s largest beverage company, refreshing consumers with more than 500 sparkling and still brands. The Company’s portfolio includes 14 billion dollar brands, including Coca-Cola, recognized as the world’s most valuable brand, as well as Diet Coke, Fanta, Sprite, Coca-Cola Zero, vitaminwater, Powerade, Minute Maid, Simply and Georgia. Globally, we are the No. 1 provider of sparkling beverages, juices and juice drinks and ready-to-drink teas and coffees. Through the world’s largest beverage distribution system, consumers in more than 200 countries enjoy the Company’s beverages at a rate of 1.6 billion servings a day. With an enduring commitment to building sustainable communities, our Company is focused on initiatives that protect the environment, conserve resources and enhance the economic development of the communities where we operate.

 For more information about our Company, please visit our website at www.thecoca-colacompany.com.

 About the Turner Sports Turner Sports, a division of Turner Broadcasting System, Inc., is an industry leader in televised and online sports programming, airing championship level sporting events on TBS, TNT and truTV, and managing some of the most popular sports sites on the Internet. Turner Sports’ television line-up includes the NBA, Major League Baseball, the NCAA Division I Men’s Basketball Championship, NASCAR and professional golf. The company’s digital portfolio includes SI.com, NASCAR.COM, NCAA.com, PGATOUR.COM, GOLF.com and PGA.com, as well as an accompanying collection of mobile websites and connected device apps. Turner Sports and the NBA also jointly manage NBA Digital, which includes NBA TV, NBA.com, NBA LEAGUE PASS, NBA Mobile, the NBA Game Time App, NBADLEAGUE.com and WNBA.com. About the NCAA The NCAA is a membership-led nonprofit association of colleges and universities committed to supporting academic and athletic opportunities for more than 400,000 student-athletes at more than 1,000 member colleges and universities. Each year, more than 54,000 student-athletes compete in NCAA championships in Divisions I, II and III sports. Visit http://www.NCAA.org and http://www.NCAA.com for more details about the Association, its goals and members and corporate partnerships that help support programs for student-athletes. The NCAA is proud to have the following elite companies as official Corporate Champions — AT&T, Capital One and Coca-Cola — and the following elite companies as official Corporate Partners — Enterprise, The Hartford, Infiniti, LG, Lowe’s, Planters, Reese’s, Unilever and UPS. NCAA, Final Four, March Madness and First Four are licensed by or trademarks of the National Collegiate Athletic Association.

Contacts Coca-Cola Refreshments Kirsten Witt, 404-676-0314

Gatorade Mission Control

Posted: March 2, 2011 in Social Media, YouTube

(Newark, NJ, February 16, 2011) ~ In a first for a professional sports franchise, the New Jersey Devils (@NHLDevils) today launched Mission Control, a Digital Command Center designed to activate and further extend the franchise’s online brand presence. Located inside Prudential Center (@PruCenter), the command center will be fueled by fans using Twitter, Facebook and other online channels hosted by the franchise and opening its digital outlets to bloggers and message board users.

The Devils carefully chose  25 social media savvy fans, the self-proclaimed Devils Army Generals, through Facebook and Twitter to act as the voice of the team’s fan base using Devils’ social media platforms.   Several of the Generals already host fan blogs of their own.  The team and Generals (@DevilsGenerals) were assisted in the development of Mission Control by the team’s social communications consultant, Jim Delaney (@activate).

Mission Control is headquartered in a newly constructed dedicated suite of offices in Prudential Center that will serve as an interactive digital hub for the team to engage in online discussions, initiate proactive outreach, track media performance/trends, and deliver interactive service to fans and followers of the Devils and the Rock on Twitter, Facebook, fan message boards and other media channels.  Fifteen individual screens in Mission Control instantly monitor all aspects of the Devils and Prudential Center brands.

“Mission Control will allow our team to connect directly with our fan base, expand the Devils’ presence throughout social media platforms, and ultimately give our fans the opportunity to be a part of the Devils family,” said Jeff Vanderbeek, Chairman and Managing Partner of Devils Arena Entertainment. “The National Hockey League is aggressively using social media and we want to set the standard not only for the league but in all of sports as well.”

Mission Control will serve to not only connect the Devils with fans but will also allow the team to engage more broadly with music and entertainment enthusiasts. Prudential Center has established itself as one of the country’s ‘must-play’ stops for top concert acts, family shows and high-profile special events. The Rock recently ranked 6th in the nation according to Venues Today 2010 arena rankings.  Mission Control will host opportunities to grow the Prudential Center brand and promote its top shows and concerts via all digital media platforms.

Mission Control is a next step in the Devils overall strategic goal to more effectively engage through social communications. Starting at the end of 2010, the Devils introduced the Digital Zone on the arena concourse.  The Digital Zone gives fans a hands-on opportunity to tweet, post and check Facebook during the game.  In addition, the team offers an Apple iPad rental program,  with customized  Devils’ application as well as apps from the NHL and other sports,  while watching the game live. The team has also successfully tripled their number of Facebook followers this  season, and grown significantly on Twitter.

The logo for Mission Control was designed by Devils fan Chrissy Baptista of Elizabeth, NJ, through a crowd-sourced design contest via social media, believed to be a first by any professional team or venue. The logo incorporates the Devils’ demonized font, the Prudential Center’s ‘arena art’ element, and NASA-inspired graphic rays that symbolize outbound communications.

“Being a designer, I jumped at the opportunity to create a logo for the New Jersey Devils Mission Control,” said Baptista. “I’m a Devils fan, of course, and it makes it that much cooler to see my design represent this program. I’m really excited to see it in action.”

Media Contact:

Anne Sciaino

asciaino@prucenter.com

973-757-6246

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What’s the best way to sign a new sponsor? The Phoenix Suns are surely taking an innovative approach.

They’re offering something called a Suite and Social night, in which a company gets 20 tickets to a suite for a game night along with six parking passes and catering. They also get the right to make two Facebook status updates about their company to the Suns 229,000+ fans, at least a quarter of which are in Arizona. They also have the rights to make three Twitter mentions on the @PhoenixSuns feed, which has more than 45,000 followers.

Photo credit: Phoenix Suns

The idea, of course, is to allow companies to sample a Suns game and also see the power of its following. The package costs $7,000.

“We wanted to tailor an affordable package to smaller businesses that don’t have large advertising budgets,” said Mandy Medsker, digital account executive for the team.

Medsker said the team has already sold the package to a local social media company called Digital Madhouse.

I had two questions.

Were the Suns worried that fans would be turned off by the messages from a company that doesn’t even have a relationship with the team?

“We’ve addressed that here,” Medsker said. “We have to be careful with that balance and we think we’ve limited things and don’t think it will appear like we’ll be shoving marketing messages down the throats of fans.”

The other question was: Are the Suns giving away too much?

Should someone that doesn’t have a formal relationship with the team have this much access? One sports marketer told me absolutely. That the Suns were throwing in too much to try to land new sponsorships. He’d use this as a throw-in to one of his team’s current partners already spending a lot of money. Another said he was impressed with the ingenuity and believed it was a very creative way of trying to get new companies into the building and spending money on the team.

Metrodome Viral Hit

Posted: December 14, 2010 in NFL, Social Media, YouTube

If they can pull this off then as an American Soccer Enthusiast I SAY CONGRATS QATAR

 

Controversy between two Nike brands. Seems to be all in favor for Phil Knight.

 

Why the 2011 ‘Social’ Super Bowl Will Break Digital Records

Smart Brands Will Anticipate and Exploit Consumers’ Directions

by Pete Blackshaw
Published: November 10, 2010

 
Pete Blackshaw
Pete Blackshaw

Here’s one of the first and potentially most important predictions for 2011: The mother of all TV-anchored events, the Super Bowl, will break all records for digital and social innovation. Go ahead, write that down and hold me accountable.

I know, this sounds counter-intuitive — almost gravity-defying — but bear with me for a moment. I’ve been tracking Super Bowl ads for nearly 10 years now — starting with my first online-feedback startup and more recently with Nielsen — and the march of digital and social innovation around the ads gets bolder and better every year.

We shouldn’t really be surprised. Big money is on the line (as are careers), a point hardly lost on today’s crop of CMOs who are looking to optimize all aspects of the marketing mix.

Evidence of integration is everywhere, this year most notably in what my colleagues at Nielsen referred to as the Engagement Trifecta — the Super Bowl, the Winter Olympics and the World Cup. This eight-month window saw the biggest single concentration of media investment in ad history.

Powerful cross-platform patterns emerged, and the smart brands, we learned, left little to chance. The 2010 Super Bowl advertisers who got the biggest buzz dividends — from Frito-Lay and Budweiser to Denny’s and Snickers — had superb digital foundations in place and a keen eye toward both fan participation and rewards.

During the Olympics, big TV advertisers like P&G got extra dividends by using Twitter and Facebook to fan the flames of their much buzzed-about “Thanks, Mom” campaign. The World Cup saw brands like Nike and Adidas break taboos and aggressively cross-promote TV copy to Facebook pages. Networks like ESPN and Univision, meanwhile, exploited the full value chain of offline-online integration.

Welcome to what me might call Media Mix Modeling 2.0. This is the term I used in a presentation and white paper last year at Advertising Research Foundation’s annual Rethink conference, which centered on the mixing, remixing and blending of paid media, owned media and earned media — otherwise known as the POEM framework.

I like the simple POEM metaphor because it implies rhythm, cadence and dot-connecting. The future of marketing is a unified team effort in which all three variables — paid, earned and owned — sync, synergize and socialize.

Think of a team with two primary players — paid media and owned media — and a stadium full of fans (earned media). In high media-spend situations, paid media — responsible for buying and producing the $2.4 million spot — is the quarterback, while owned media owns a big piece of the offensive line.

The fans, meanwhile, give credit to good performance in the form of earned media — unless of course the brand fumbles, which then becomes spurned media (which is quite common).

That said, you can’t take the synergies for granted. It takes work to find the groove. Listening is mission-critical, and in the case of the Super Bowl, the ad copy from the get-go has to be engagement-worthy. Here are four critical enablers of POEM synergy — all highly relevant to the Super Bowl.

Brand readiness: This is the degree to which the brand is prepped and primed to maximize POEM synergies. Readiness starts with great listening processes, but it also means ensuring the website or brand stands (Facebook or Twitter, for example) are primed and ready to engage at all levels with consumers, especially around feedback. I typically look at around 20 variables of brand readiness before a big spend event, starting with influencer identification and the most basic “sharing” infrastructure in place. What I know for sure is this: If you prime the pump, your buzz jumps.

Brand agility: This is the degree to which the brand is prepared to respond to or engage in real time against conversational or engagement flows. If early buzz on a Super Bowl ad fixates on a certain aspect of the copy, brands with high levels of “brand agility” tend to take full advantage through ad tweaking, PR interventions, social-media engagement and more. Agile brands can “sense and respond,” and they staff their Twitter and Facebook accounts 24/7. This is also a factor that inevitably requires serious decisions about — yes, I’m going to say it — head count.

Brand advocacy: Brands with higher brand advocacy generally get higher earned-media dividends from paid- or owned-media triggers. Brand advocacy is all about the degree to which consumers recommend, endorse, praise or publicly bear allegiance to the brand. Think Facebook fans or Twitter followers or positive Amazon reviews. Every brand dropping serious coin on a Super Bowl ad should have a clear read on brand advocacy (or even Net Promoter) levels. Moreover, they need to know how to nurture that advocacy or where negative advocacy can work against them.

Brand latency: All earned media has a so-called latency effect. It sticks and can be either the gift that keeps on giving or the curse that keeps on slapping (think organic search results). Latency can also affirm consumer attitudes about a spot. Brands like Doritos, Pepsi and Nationwide have strong latency factors, and even Pepsi, which took a paid-media siesta last year for the Super Bowl to pursue its Refresh Project, reaped big free-media dividends because of previous game investments. Remember, Google never forgets, and that can translate into a big competitive advantage.

With or without a strategy or plan, integration will occur because consumers don’t need brands to connect the dots or fuse media pieces together. Engagement today is so easy and friction-free that we’ll be spouting commentary on Super Bowl ads like an open fire hydrant in the summer. That said, smart brands will think three steps ahead of the consumer and both anticipate and exploit their likely directions.

So prime your eyes not only on the Super Bowl ad, but on the full 360-degree dynamics of consumer engagement and conversation around the spots. Trust me, we’ll break new ground in 2011.

Here is article from the Washington Wizards Blog. I had a chance to meet up with the some of the marketing people of the Washignton Wizards before their second home game vs. Cleveland to discuss the home opener. John Wall’s “A+” performance might be overshadowed by his YouTube presence for his pregame “Dougie”. Over a million views in a week and growing.

Introduction with the 3D glasses was a neat touch to a introduction and a start of a season at home.  Not only that, but John Wall did the’ Dougie’ for his introduction.  I hope he does that every game as a matter of fact.  The energy from the crowd was different this time around.  You can feel the crowd when something exciting was happening.  Every piece of media was out here from LaVar Arrington, Michael Wilbon, Holden Kushner, and even Elliot of The Elliot in the Morning show on DC 101 was there.  It felt like a playoff game.  I know we shouldn’t expect this all season long but it was a great feeling overall.

Nick Young was feeling it. He felt the John Wall effect.  He would stand on any corner of the key and just wait for Wall to attract defenders and he would be the recipient of his passes which would lead to a 3 point shot or a jumper.  This is what exactly what the Wizards imagined but what if Gilbert was playing? That is yet to be seen but we will see soon this Saturday.

The face of the franchise John Wall showed why the Wizards made him the #1 pick and why he was rated the best player.  He took control of the offense and when he was in the game. He is truly the quarterback of this offense.

After the game, John Wall talked about the great win at home, “Atleast we won at home, Cartier made a big shot for us and Dray (Andray Blatche) made some big free throws in the end.”